Project Research References
Aiken, Jim (November 15, 2021). "Band-in-a-Box 2021 – the Synth and Software Review". synthandsoftware.com. VIEthrive.com. Retrieved June 13, 2022.
Apple (2024) Logic Pro (Version 11.1.1) [Computer software]. Cupertino: Apple. Available at: https://www.apple.com/logic-pro/ (Accessed: 14 May 2026)
Avid Technology (2025) Sibelius First (version 2025.8) [Computer software]. Burlington, MA: Avid Technology.
Berliner, P.F. (1994) Thinking in Jazz: The Infinite Art of Improvisation. Chicago: University of Chicago Press.
Boden, M.A. (1990) The Creative Mind: Myths and Mechanisms. London: Weidenfeld & Nicolson.
Boyzone (1998) No Matter What. On: Where We Belong. London: Polydor Records.
Bell, A.P. (2018) Dawn of the DAW: The studio as musical instrument. New York: Oxford University Press.
Briot, J.-P., Hadjeres, G. and Pachet, F. (2017) Deep Learning Techniques for Music Generation. arXiv preprint.
Brown, T.B. et al. (2020) ‘Language models are few-shot learners’, Advances in Neural Information Processing Systems, 33.
Bruckner‑Haring, C. (2016). “John Coltrane as a composer”. Jazz Research Journal, 2(2), pp. 133
Coltrane, J. (1960) Giant Steps. Atlantic Records. Available at: https://www.atlanticrecords.com (Accessed: 18 May 2026).
Coltrane. (1961). My Favorite Things. On: My Favorite Things [vinyl record]. New York: Atlantic Records, available at: https://open.spotify.com/track/2JOEPbuwVf0nafGnMSVEhH (Accessed: 29 October 2025). Google.com.
Dameron, T. (1948) Lady Bird. In: Real Book / jazz standard repertoire. (various editions).
Davis, M. (1959) Kind of Blue. Columbia Records. Available at: https://www.columbiarecords.com (Accessed: 18 May 2026).
Finke, R.A., Ward, T.B. and Smith, S.M. (1992) Creative Cognition: Theory, Research, and Applications. Cambridge, MA: MIT Press.
Giddins,G and DeVeaux, S. (2009) Jazz. New York: W.W. Norton.
Gioia, T. (2021) The History of Jazz. 2nd edn. New York: Oxford University Press.
Gridley, M.C. (2012) Jazz Styles: History and Analysis. 11th edn. Boston: Pearson.
Grove’s Dictionaries Inc. / Macmillan / Oxford University Press.
Haase, J. and Pokutta, S. (2024) Human‑AI co‑creativity: Exploring synergies across levels of creative collaboration
Holmes, T.B. (2008) Electronic and Experimental Music: Technology, Music, and Culture. 3rd edn. New York: Routledge.
Huang, C.‑Z. A. and Yang, Y.‑H. (2020) Pop Music Transformer: Beat‑based modelling and generation of expressive pop piano compositions. In: Proceedings of the 28th ACM International Conference on Multimedia, pp. 1180–1188
ITHAKA. (2025) JSTOR [online database]., available at: https://www.jstor.org
Jones,E. (1961) cited in Elvin Jones and Me, Vinyl Magic, (2020) available at: https://www.vinyl-magic.com/blog/elvin-jones-and-me ; libguides.staffs.ac.uk/library
Jones, E. (2003) Smithsonian Jazz Oral History Program, interview transcript. [online] available at: https://amhistory.si.edu/jazz/Jones-Elvin/Jones_Elvin_Transcript.pdf
Levine, M. (1995) The Jazz Theory Book. Petaluma, CA: Sher Music Co.
Lloyd Webber, A. and Steinman, J. (1996) No Matter What. In: Whistle Down the Wind. London: Really Useful Group.
Maher, M.L. (2012) ‘Computational and collective creativity’, Computers and Creativity, pp. 49–83.
McCormack, J. et al. (2020) ‘Autonomy, authenticity, authorship and intention in computer generated art’, Proceedings of ICCC.
McCormack, J., Hutchings, P., Gifford, T., Yee‑King, M., Llano Rodriguez, M. T. and d’Inverno, M. (2020) Design considerations for real‑time collaboration with creative artificial intelligence. Organised Sound, 25(1), pp. 41‑52
Monson, I. (1996) Saying something: jazz improvisation and interaction. Chicago: University of Chicago Press.
Mozart, W. A. (1781) Twelve Variations on “Ah! vous dirai-je, Maman,” K. 265/300e [Piano score].
MusicRadar (2023) ‘AI music tools and creative workflow’, MusicRadar. Available at: https://www.musicradar.com(Accessed: 9 May 2026).
OpenAI (2026) ChatGPT (GPT-based language model). Available at: https://openai.com (Accessed: 9 May 2026).
PG Music (2025) Band-in-a-Box Software (Windows/Mac). Victoria, BC: PG Music Inc.
PG Music (2026) Band-in-a-Box [software]. Version 2025. PG Music. Available at: https://www.pgmusic.com/bbwin.htm.
Band-in-a-Box User Guide (n.d.) PG Music Band-in-a-Box Documentation. Available at: https://www.pgmusic.com(Accessed: 9 May 2026).
PG Music (2025). Band-in-a-Box 2025 for Mac User’s Guide. Victoria, BC: PG Music Inc. Available at: Band‑in‑a‑Box 2025 for Mac User’s Guide (Accessed: 15 March 2026).
Rodgers, R. & Hammerstein II, O. (1959). My Favorite Things. In: The Sound of Music [stage musical]. New York: Richard Rodgers and Oscar Hammerstein II .Scholar.google.com
Staffordshire University Recording Studio, Cadman Building, Stoke-on-Trent
Suno, Inc. (2026) Suno AI. Available at: https://suno.com (Accessed: 13 May 2026).
Théberge, P. (1997) Any Sound You Can Imagine: Making Music/Consuming Technology. Hanover: Wesleyan University Press.
Walden, J. (2020) Plugin Boutique Scaler 3. Sound on Sound, February 2026. Available https://www.soundonsound.com/reviews/scaler-music-scaler-3 (Accessed 14 March 2026)
Wiggins, G.A. (2006) ‘A preliminary framework for description, analysis and comparison of creative systems’, Knowledge-Based Systems, 19(7), pp. 449–458.
Williams, K. (2023) Jazz and the American Songbook. In: M. Borshuk (ed.) Jazz and American Culture. Cambridge: Cambridge University Press, pp. 262-274.youtube.com/watch?v=nmaq1aXnVR8
Yeh, C.H. et al. (2021) ‘Chord generation and harmonic modelling in symbolic music’, IEEE/ACM Transactions on Audio, Speech, and Language Processing.